REFERENCES

Abbreviations of Standard Works

BGA
Brandenburg, Sieghard, ed. 1996, vols. 1-7. Ludwig van Beethoven. Briefwechsel: Gesamtausgabe. Beethovenhaus Bonn (München: G. Henle Verlag). Citations are to the number of each letter (e.g., "BGA No. 140").
BJB
Beethoven-Jahrbuch. 1954-1983, vols. 1-10. Bonn: Beethovenhaus.
Eroica
Kessler
(sketchbook) See N 1865; Brandenburg (ed.) 1978.
JTW
Johnson, Douglas, Alan Tyson and Robert Winter. 1970. The Beethoven sketchbooks: History, reconstruction, inventory. Berkeley and Los Angeles: University of California Press.
KBK
Klein, Hans-Günter, ed. 1975. Ludwig van Beethoven: Autographe und Abschriften. In: Rudolph Elvers, ed. Staatsbibliotek der Preussischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe: Handschriften, Band 2. Berlin: Merseburger.
KH
Kinsky, Georg. 1955. Das Werk Beethovens: Thematisch-bibliographisches Verzeichnis sämtlichen vollendeten Kompositionen, completed and ed. Hans Halm. Munich and Duisberg: G. Henle Verlag.
Landsberg
(No.) 6 (sketchbook) See N 1880.
Landsberg
(No.) 7 (sketchbook) See Mikulicz 1927.
NBJ
Neues Beethoven-Jahrbuch. 1924-1939, vols. 1-9. Augsburg: Benno Filser (1924-30, vols. 1-4); Braunschweig: Henry Litolff (1933-39, vols. 5-9).
N 1865
Gustav Nottebohm, ed. 1865. Ein Skizzenbuch von Beethoven. Leipzig: Breitkopf & Härtel. Repr. Mies (ed.) 1924; Eng. transl. Katz 1979.
N 1880
Gustav Nottebohm, ed. 1880. Ein Skizzenbuch von Beethoven aus dem Jahre 1803. Leipzig: Breitkopf & Härtel. Repr. Mies (ed.) 1924; Eng. transl. Katz 1979.
NII
Gustav Nottebohm, ed. 1887. Zweite Beethoveniana: nachgelassene Aufsätze. Leipzig: J. Rieter-Biedermann. Repr. Leipzig: Peters, 1925; New York: Johnson Reprint, 1970.
TDR
Thayer, Alexander Wheelock. Ludwig van Beethovens Leben. Vol. I (rev.) continued by Hermann Deiters (Berlin: Breitkopf & Härtel, 1901); vols. IV-V completed by Hugo Riemann (Leipzig: Breitkopf & Härtel, 1907, 1908); vols. II-III rev. Riemann (Leipzig, 1910, 1911); vol. I (ed. Deiters 1901) rev. Riemann (Leipzig, 1917); vols. II-V reissued (Leipzig, 1923).
Thayer
Thayer, Alexander Wheelock. Ludwig van Beethovens Leben. Berlin: Ferdinand Schneider (vol. I, 1866); W. Weber (vols. II-III, 1872, 1879).
Thayer-Forbes
Forbes, Elliot, ed. 1967. Thayer's life of Beethoven. 2 vols., Princeton: Princeton University Press.
Wegeler/Ries
Wegeler, Franz Gerhard and Ferdinand Ries. 1838. Biographische Notizen über Ludwig van Beethoven. Suppl. (Nachtrag) Wegeler, 1845. Coblenz: K. Badeker. Eng. transl. Noonan 1988.
Wielhorsky
(sketchbook) See Fishman, vols. 1 (facsimile) and 2 (transcription).

 

BOOKS and ARTICLES

 

Abraham, Gerald. 1975. Musicology's Language Curtain. Musical Times 116 (no. 1591, Sept.), 788-89.
Albrecht, Theodore. 1999. Thayer contra Marx: a warning from 1860. Beethoven Journal 14/1 (Summer) 2-8 (Pt. I); 14/2 (Winter), 56-64 (Pt. II).
———, ed. 1996. Letters to Beethoven and other correspondence. 3 vols., Lincoln and London: University of Nebraska Press.
Aldrich, Elizabeth. 1997. Social Dancing in Schubert's World. In: Raymond Erickson, ed. Schubert's Vienna, 119-40. New Haven and London: Yale University Press.
Applebaum, Stanley. 2002. Introduction to Ludwig van Beethoven, The creatures of Prometheus, Op. 43, the complete ballet music in full score. Mineola, NY: Dover Publications, Inc.
Beethoven, Ludwig van. 1823-24. Sketchbook (Recueil thématique / de L. v. Beethoven; Autographe contenant 37 pages de musique. Donné a M. Artot (célebre violoniste français) par M. Auguste Artaria, editeur des ouvrages de Beethoven, A Vienne le 19 Mai 1835). Facsimile ed. 1913. Leipzig: Verlag Wilhelm Engelmann.
Bekker, Paul. 1912. Beethoven. 2d. ed., Berlin: Deutsche Verlags-Anstalt.
Beyle, Marie-Henri [Stendhal]. 1822. De l'amour. 2 vols., Paris: P. Mongie l'ainé. 1888. German transl. by Arthur Schurig: Die Physiologie der Liebe. Berlin: Fried.
Brandenburg, Sieghard. 1977. Über die Bedeutung der Skizzen Beethovens. In Goldschmidt, Köhler and Niemann (eds.) 1978, 37-63.
———, ed. 1978. Ludwig van Beethoven: Keßlersches Skizzenbuch. 2 vols., Bonn: Beethovenhaus.
Brockhaus, Alfred and Konrad Niemann, eds. 1971. Bericht über den internationalen Beethoven-Kongreß 1970. Berlin: Verlag Neue Musik.
Brown, Malcolm. 1963. Book review [of Fishman]. Notes (Series 2) vol. 20, no. 3 (Summer), 460-63.
Burnham, Scott. 1995. Beethoven hero. Princeton: Princeton University Press.
Burnham, Scott and Michael Steinberg, eds. 2000. Beethoven and his world. Princeton and Oxford: Princeton University Press.
Carner, Mosco. 1970. Beethoven's deafness and the heroic element in his music. In: Carl Dahlhaus et al. (eds.) 1971, 360-61.
Cooper, Barry. 1990. Beethoven and the creative process. New York: Oxford University Press.
———. 1995. Beethoven's Oratorio and the Heiligenstadt Testament. Beethoven Journal 10/1, 19-24.
———. 1999. Introduction to Urtext Study edition of: Beethoven, L. van. Symphony no. 3, op. 55 ("Eroica"). Kassel: Bärenreiter Verlag.
———. 2000a. Beethoven. Oxford: Oxford University Press.
———. 2000b. The compositional act: sketches and autographs. In Glenn Stanley, ed. The Cambridge companion to Beethoven, 32-42. Cambridge: Cambridge University Press.
Dahlhaus, Carl. 1987. Ludwig van Beethoven und seine Zeit. Laaber: Laaber-Verlag. 1991. Eng. transl. by Mary Whittall: Ludwig van Beethoven – Approaches to his music. Oxford: Clarendon Press.
———, et al., eds. 1971. Bericht über den Internationalen Musikwissenschaftlichen Kongress Bonn 1970. Kassel: Bärenreiter-Verlag.
Dean, Winton. 1969. Handel and the opera seria. Berkeley and Los Angeles: University of California Press.
Derr, Ellwood. 1984. Beethoven's long-term memory of C.P.E. Bach's Rondo in E-Flat, W. 61/1 (1787), manifest in the Variations in E-Flat for Piano, Opus 35 (1802). Musical Quarterly 70, 45-76.
Dorfmüller, Kurt, ed. 1978. Beiträge zur Beethoven-Bibliographie: Studien und Materialen zum Werkverzeichnis von Kinsky-Halm. Munich: G. Henle Verlag.
Fischer, K. von. 1949. Eroica-Variationen Op. 35 und Eroica-Finale. Schweizerische Musikzeitung 89, 282-86.
Fischman [German transliteration of "Fishman"], Nathan. 1970. Das Skizzenbuch Beethovens aus den Jahren 1802-1803 aus dem Familienarchiv Wielhorski und die ersten Skizzen zur 'Eroica'. In Dahlhaus et al.(eds.) 1971, 104-07.
———. 1978. Das Moskauer Skizzenbuch Beethovens aus dem Archiv von M. J. Wielhorsky. In Dorfmüller (ed.) 1978, 61-67.
Fishman, Nathan L., ed. 1962 (cited as "Fishman"). Knigaèskizov Betxovena za 1802-1803 gody, 3 vols. (facsimile, transcription and commentary). Moscow: Gosudarstvennoj Muzykal'noj Izdatel'stvo (State Musical Press).
Fleischhauer, Günter. 1970. Beethoven und die Antike. In: Brockhaus and Niemann (eds.) 1971, 465-482.
Floros, Constantin. 1978. Beethovens Eroica und Prometheus-Musik. Wilhelmshaven: Heinrichshofen's Verlag.
Gleich, Clemens-Christoph von. 1996. Beethovens Prometheus-Variationen in Neuer Sicht. Munich-Salzburg: Musikverlag Emil Katzbichler.
Goldschmidt, Harry. 1975. Beethoven – Werkeinführungen. Leipzig: Verlag P. Reclam jun.
Goldschmidt, Harry, Karl-Heinz Köhler and Konrad Niemann, eds. 1978. Bericht über den Internationalen Beethoven-Kongreß Berlin 1977. Leipzig: VEB Deutscher Verlag für Musik.
Grout, Donald Jay. 1965. A short history of opera. 2d ed. New York and London: Columbia University Press.
Grove, George. 1898. Beethoven and his nine symphonies. 3d. ed. London: Novello, Ewer and Co. 1962. Repr.
New York: Dover Publications, Inc.
Haag, John J. 1990. Beethoven, the revolution in music, and the French revolution: music and politics in Austria, 1790-1815, in: Brauer, Kinley and William E. Wright, eds. Austria in the age of the French revolution 1790-1815. Minneapolis: Center for Austrian Studies (University of Minnesota), 107-123.
Haas, Robert. 1925. Zur Wiener Ballettpantomime um den Prometheus. Neues Beethoven-Jahrbuch 2, 84-103.
Haas, Robert. 1927. Beethoven und das Wiener Ballett. Velhagen & Klasings Monatshefte 41/7 (March), 41-48.
Haley, Allan S. 1966. Beethoven: the Sketchbook for 1802-1803. Unpublished honors thesis (2 vols.) in the Eda Kuhn Loeb Music Library of Harvard University.
Heineman, Michael. 1992. "Altes" und "Neues" in Beethovens "Eroica"-Variationen op. 35. Archiv für Musikwissenschaft 49/1, 38-45.
Hess, Willy. 1962. Beethovens Bühnenwerke. Göttingen: Vandenhoeck & Ruprecht.
Hess, Willy, ed. 1939. Introduction to: Nei giorni tuoi felici aus "Olimpiade" Akt I, Szene 10 von Pietro Metastasio: Duett für Sopran und Tenor mit Orchester / von Ludwig van Beethoven; nach dem in der Preussichen Staatsbibliothek befindlichen Autograph zum ersten Male hrsg. und zum Vortrag eingerichtet
(WoO 93; in miniature score). Leipzig: E. Eulenberg.
Johnson, Douglas. 1978. Beethoven scholars and Beethoven's sketches. 19th Century Music 2, no. 1 (July), 3-17.
Katz, Jonathan, trans. 1979. Two Beethoven sketchbooks: A description with musical extracts, by Gustav Nottebohm. London: Gollancz.
Kerényi, Carl. 1959. Prometheus: Die menschliche Existenz in griechischer Deutung. Hamburg: Rowohlt Verlag. 1963. Eng. trans. Prometheus – Archetypal image of human existence. Princeton: Princeton University Press.
Kerman, Joseph, ed. 1970. Ludwig van Beethoven: Autograph miscellany from circa 1786 to 1799. 2 vols., London: Oxford University Press for the Trustees of the British Museum.
Kinderman, William. 1995. Beethoven. Oxford: Oxford University Press.
———, ed. 1991. Beethoven's compositional process. North American Beethoven Studies, vol. I. Lincoln & London: University of Nebraska Press.
Kinsky, Georg. 1935. Zur Versteigerung von Beethovens musikalischem Nachlaß. NBJ 6, 66-86.
Kloiber, Rudolph. 1973. Handbuch der Oper I. 8th ed., Munich: Deutsche Taschenbuch Verlag.
Knight, Frida. 1973. Beethoven and the age of revolution. London: Lawrence & Wishart.
Kojima, Shin August. 1977. Zweifelhafte Authentizität einiger Beethoven zugeschriebene Orchestertänze. In: Goldschmidt, Köhler and Niemann (eds.) 1978, 307-22.
Kojima, Shin August, ed. 1980. Kritischer Bericht for BWG Abt. II, Bd. 3: Gratulationsmenuett und Tänze für Orchester. Beethovenhaus Bonn (Munich: G. Henle Verlag).
Kunze, Stefan. 1972. Die "wirklich gantz neue Manier" in Beethovens Eroica-Variationen op. 35. Archiv für Musikwissenchaft 29/2, 124-49.
Lang, Paul, ed. 1971. The creative world of Beethoven. New York: W.W. Norton & Co.
Lenz, Wilhelm von. 1852. Beethoven et ses trois stiles.
St. Petersburg: Bernard.
———. 1855/60. Beethoven: Eine Kunststudie. Kassel: Ernst Balde, 1855 (vols. I & II); Hamburg: Hoffman & Campe, 1860 (vol. III).
———. 1856. Graf Mikhail Jur'evich Wielhorsky. In German; trans. into Russian by A.N. Serov, in Muzykal'nyj i teatral'nyj vestnik, No. 49, p. 882.
Levinson, A. 1927. Le Ballet de Promethée, Beethoven et Vigano. Revue de Musique 8, 87-97.
Linton, Patricia. 2004. Ballet's Beginnings. Dancing Times (January), 94-95.
Lockwood, Lewis. 1970. On Beethoven's sketches and autographs: Some problems of definition and interpretation. Acta Musicologica XLII: 32-47. Reprinted in Lockwood 1992, 4-16.
———. 1981. The earliest sketches for the Eroica symphony. Musical Quarterly 67, 457-78. Reprinted in Lockwood 1992, 134-50.
———. 1991. The compositional genesis of the Eroica finale. In: Kinderman (ed.) 1991, 82-101. Repr. in Lockwood 1992, at 151-166.
———. 1992. Beethoven – Studies in the creative process. Cambridge, Massachusetts and London, England: Harvard University Press.
———. 2000. Beethoven, Florestan and the varieties of heroism. In: Burnham and Steinberg (eds.) 2000, 27-47.
———. 2003. Beethoven – The music and the life. New York and London: W.W. Norton & Co.
MacArdle, Donald W., ed. 1996. Beethoven as I knew him [Transl. of Schindler 1860]. Mineola, NY: Dover Publications.
Maruyama, Keisuke. 1987. Die Sinfonie des Prometheus. Beethoven / Analecta Varia 56 (July), 46-82. Munich: Johannesdruck Hans Pribil KG.
Marx, Adolph Bernhard. 1859. Ludwig van Beethoven: Leben und Schaffen. 2 vols., Berlin: Verlag Otto Janke. 1863. 2d. ed., 2 vols.
Massin, Jean and Brigitte. 1970. Beethoven et la Révolution Française, in: Beethoven. Aix-en-Provence: L'Arc, No. 1375, 1er trimestre, 3-14.
Mathews, Denis. 1985. Beethoven. Oxford: Oxford University Press.
Mies, Paul. 1925. Die Bedeutung der Skizzen Beethovens zur Erkenntnis seines Stiles. Leipzig: Breitkopf & Härtel. 1929. Eng. transl. by Doris Mackinnon: Beethoven's sketches – An analysis of his style based on a study of his sketch-books. Oxford: Oxford University Press. Repr. 1974. New York: Dover Publications.
———. 1953-54. Ludwig van Beethovens Werke über seinen Kontretanz in Es-Dur. BJB 1, 80-102. Bonn: Beethovenhaus.
———, ed. 1924. Zwei Skizzenbücher von Beethoven aus den Jahren 1801 bis 1803. Beschrieben und in Auszügen dargestellt von Gustav Nottebohm. Leipzig: Breitkopf & Härtel.
Mikulicz, Karl, ed. 1927. Ein Notierungsbuch von Beethoven. Leipzig: Breitkopf & Härtel.
Morris, Edmund. 2005. Beethoven the universal composer. New York: Harper Collins.
Müller, Erich Hermann. 1929. Beethoven und Simrock. Simrock-Jahrbuch 2, 27ff.
Nohl, Ludwig. 1874. Beethoven, Liszt, Wagner. Vienna: Wilhelm Braumüller.
Noli, Fan S. (Bishop). 1947. Beethoven and the French revolution. New York: International Universities Press.
Noonan, Frederick, trans. 1987. Remembering Beethoven: the biographical notes of Franz Wegeler and Ferdinand Ries / foreword by Christopher Hogwood, introduction by Eva Badura-Skoda. London: Andre Deutsch. (US ed. publ. 1988 as Beethoven remembered, Arlington, VA: Great Ocean Publishers.) Trans. of 1906 Berlin ed. of Wegeler/Ries with notes by Alfred Kalischer.
Nottebohm, Gustav. 1868. Thematisches Verzeichniss der im Druck erschienenen Werke von Ludwig van Beethoven. 2d. ed., Leipzig: Breitkopf & Härtel.
Paunel, Eugen von and Gustav Gugitz, ed. 1917-18. Die Eipeldauer Briefe 1799-1813 in Auswahl herausgegeben. 2 vols., Munich: Georg Müller. Selections from Richter 1785-1813.
Pichler, Caroline. 1844. Denkwürdigkeiten aus meinem Leben. 4 vols. (in 2),
Vienna: Verlag von A. Pichlers sel. Witwe.
Pichler, Ernst. 1994. Beethoven – Mythos und Wirklichkeit. Vienna and Munich: Amalthea Verlag.
Reichart, Sarah Bennett. 1984. The influence of eighteenth-century social dance on Viennese classical style. Ph.D. diss., City University of New York.
Reizler, Walter. 1990. Beethoven. 13th ed., Zürich: Atlantis Musikbuch Verlag.
Reynolds, Christopher. 1982. Beethoven's sketches for the Variations in E-Flat Op. 35. In: Alan Tyson, ed. Beethoven Studies 3, 47-74. Cambridge: Cambridge University Press.
Rice, John A. 2003. Empress Marie Therese and music at the Viennese court 1792-1807. Cambridge: Cambridge University Press.
Richter, Joseph. 1785-1813. Eipeldauer-Briefe (Briefe eines Eipeldauers an seinen Herrn Vetter in Kakran über d´ Wienstadt). Vienna: J. Richter. Selections reprinted in Paunel and Gugitz, ed. 1917-18.
Riemann, Hugo. 1909-10. Beethovens Prometheus-Musik. Ein Variationenwerk. Die Musik 8, 19-34, 107-125.
Ringer, Alexander. 1961. Clementi and the Eroica.
Musical Quarterly 47, 454-68.
Ritorni, Carlo. 1838. Commentaria della vita e delle opere corredrammatiche di Salvatore di Viganò e della corregrafia e de' corporei scritti. Milan: Reggiano.
Rolland, Romain. 1928. Beethoven - les grandes époques créatrices: De l'Héroique à l'Appassionata. Paris: Editions du Sablier. 1929. Eng. tr. by Ernest Newman: Beethoven the creator. London: Victor Gollanz. Repr. 1964. New York: Dover Publications.
Rumph, Stephen. 2004. Beethoven after Napoleon. Berkeley and Los Angeles: University of California Press.
Schenker, Heinrich. 1930. Das Meisterwerk in der Musik. Vol. 3, Munich: Drei Masken Verlag.
Schindler, Anton. 1840. Biographie von Ludwig van Beethoven. Münster: Aschendorff'schen Buchhandlung. 1845. 2nd ed., 2 vols. 1860. 3d ed. (Dritte, neu bearbeitete und vermehrte Auflage), 2 vols. English tr. of 3d ed.: MacArdle (ed.) 1996.
Schleuning, Peter. 1987. Beethoven in alter Deutung: Der 'neue Weg' mit der Sinfonia Eroica. Archiv für Musikwissenschaft 44, 165-94.
———. 1996. 3. Symphonie Es-Dur. In: Albrecht Riethmüller, Carl Dahlhaus and Alexander Ringer, eds. Beethoven – Interpretationen seiner Werke. 2d ed., Laaber: Laaber-Verlag, vol. I, 386-400.
———, and Martin Geck. 1989."Geschrieben auf Bonaparte." Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag.
Schmitz, Arnold. 1927a. Beethoven. Bonn: Verlag der Buchgemeinde.
———. 1927b. Das romantische Beethovenbild: Darstellung und Kritik. Berlin and Bonn: Ferdinand Dümmler.
Schneider, Frank. 1988. Welt, was frag ich nach dir? Leipzig: Verlag Philipp Reclam jun.
Schüller, Gunhild, and Thomas Steiert. 1997. Salvatore Viganò--Raul, Herr von Krecki. Pipers Enzyklopedie des Musiktheaters. Munich: Piper Verlag,
vol. VI, pp. 497-500.
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Solomon, Maynard. 1977. Beethoven – Class position and outlook. In: Goldschmidt, Köhler and Niemann (eds.) 1978, 67-79.
———. 1998. Beethoven. 2d ed., New York: Schirmer Books.
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Stanley, Glen (ed.). 2000. The Cambridge Companion to Beethoven. Cambridge: Cambridge University Press.
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