BOOKS and ARTICLES
Abraham, Gerald. 1975. Musicology's Language Curtain. Musical Times 116 (no. 1591, Sept.), 788-89.
Albrecht, Theodore. 1999. Thayer contra Marx: a warning from 1860. Beethoven Journal 14/1 (Summer) 2-8 (Pt. I); 14/2 (Winter), 56-64 (Pt. II).
———, ed. 1996. Letters to Beethoven and other correspondence. 3 vols., Lincoln and London: University of Nebraska Press.
Aldrich, Elizabeth. 1997. Social Dancing in Schubert's World. In: Raymond Erickson, ed. Schubert's Vienna, 119-40. New Haven and London: Yale University Press.
Applebaum, Stanley. 2002. Introduction to Ludwig van Beethoven, The creatures of Prometheus, Op. 43, the complete ballet music in full score. Mineola, NY: Dover Publications, Inc.
Beethoven, Ludwig van. 1823-24. Sketchbook (Recueil thématique / de L. v. Beethoven; Autographe contenant 37 pages de musique. Donné a M. Artot (célebre violoniste français) par M. Auguste Artaria, editeur des ouvrages de Beethoven, A Vienne le 19 Mai 1835). Facsimile ed. 1913. Leipzig: Verlag Wilhelm Engelmann.
Bekker, Paul. 1912. Beethoven. 2d. ed., Berlin: Deutsche Verlags-Anstalt.
Beyle, Marie-Henri [Stendhal]. 1822. De l'amour. 2 vols., Paris: P. Mongie l'ainé. 1888. German transl. by Arthur Schurig: Die Physiologie der Liebe. Berlin: Fried.
———, ed. 1978. Ludwig van Beethoven: Keßlersches Skizzenbuch. 2 vols., Bonn: Beethovenhaus.
Brockhaus, Alfred and Konrad Niemann, eds. 1971. Bericht über den internationalen Beethoven-Kongreß 1970. Berlin: Verlag Neue Musik.
Brown, Malcolm. 1963. Book review [of
Fishman].
Notes (Series 2) vol. 20, no. 3 (Summer), 460-63.
Burnham, Scott. 1995. Beethoven hero. Princeton: Princeton University Press.
Burnham, Scott and Michael Steinberg, eds. 2000. Beethoven and his world. Princeton and Oxford: Princeton University Press.
Carner, Mosco. 1970. Beethoven's deafness and the heroic element in his music. In:
Carl Dahlhaus et al. (eds.) 1971, 360-61.
Cooper, Barry. 1990. Beethoven and the creative process. New York: Oxford University Press.
———. 1995. Beethoven's Oratorio and the Heiligenstadt Testament. Beethoven Journal 10/1, 19-24.
———. 1999. Introduction to Urtext Study edition of: Beethoven, L. van. Symphony no. 3, op. 55 ("Eroica"). Kassel: Bärenreiter Verlag.
———. 2000a. Beethoven. Oxford: Oxford University Press.
———. 2000b. The compositional act: sketches and autographs. In
Glenn Stanley, ed. The Cambridge companion to Beethoven, 32-42. Cambridge: Cambridge University Press.
Dahlhaus, Carl. 1987. Ludwig van Beethoven und seine Zeit. Laaber: Laaber-Verlag. 1991. Eng. transl. by Mary Whittall: Ludwig van Beethoven – Approaches to his music. Oxford: Clarendon Press.
———, et al., eds. 1971. Bericht über den Internationalen Musikwissenschaftlichen Kongress Bonn 1970. Kassel: Bärenreiter-Verlag.
Dean, Winton. 1969. Handel and the opera seria. Berkeley and Los Angeles: University of California Press.
Derr, Ellwood. 1984. Beethoven's long-term memory of C.P.E. Bach's Rondo in E-Flat, W. 61/1 (1787), manifest in the Variations in E-Flat for Piano, Opus 35 (1802). Musical Quarterly 70, 45-76.
Dorfmüller, Kurt, ed. 1978. Beiträge zur Beethoven-Bibliographie: Studien und Materialen zum Werkverzeichnis von Kinsky-Halm. Munich: G. Henle Verlag.
Fischer, K. von. 1949. Eroica-Variationen Op. 35 und Eroica-Finale. Schweizerische Musikzeitung 89, 282-86.
Fischman [German transliteration of "Fishman"]
, Nathan. 1970. Das Skizzenbuch Beethovens aus den Jahren 1802-1803 aus dem Familienarchiv Wielhorski und die ersten Skizzen zur 'Eroica'. In
Dahlhaus et al.(eds.) 1971, 104-07.
———. 1978. Das Moskauer Skizzenbuch Beethovens aus dem Archiv von M. J. Wielhorsky. In
Dorfmüller (ed.) 1978, 61-67.
Fishman, Nathan L., ed. 1962 (cited as "Fishman"). Knigaèskizov Betxovena za 1802-1803 gody, 3 vols. (facsimile, transcription and commentary). Moscow: Gosudarstvennoj Muzykal'noj Izdatel'stvo (State Musical Press).
Floros, Constantin. 1978. Beethovens Eroica und Prometheus-Musik. Wilhelmshaven: Heinrichshofen's Verlag.
Gleich, Clemens-Christoph von. 1996. Beethovens Prometheus-Variationen in Neuer Sicht. Munich-Salzburg: Musikverlag Emil Katzbichler.
Goldschmidt, Harry. 1975. Beethoven – Werkeinführungen. Leipzig: Verlag P. Reclam jun.
Goldschmidt, Harry, Karl-Heinz Köhler and Konrad Niemann, eds. 1978. Bericht über den Internationalen Beethoven-Kongreß Berlin 1977. Leipzig: VEB Deutscher Verlag für Musik.
Grout, Donald Jay. 1965. A short history of opera. 2d ed. New York and London: Columbia University Press.
Grove, George. 1898. Beethoven and his nine symphonies. 3d. ed. London: Novello, Ewer and Co. 1962. Repr.
New York: Dover Publications, Inc.
Haag, John J. 1990. Beethoven, the revolution in music, and the French revolution: music and politics in Austria, 1790-1815, in: Brauer, Kinley and William E. Wright, eds. Austria in the age of the French revolution 1790-1815. Minneapolis: Center for Austrian Studies (University of Minnesota), 107-123.
Haas, Robert. 1925. Zur Wiener Ballettpantomime um den Prometheus. Neues Beethoven-Jahrbuch 2, 84-103.
Haas, Robert. 1927. Beethoven und das Wiener Ballett. Velhagen & Klasings Monatshefte 41/7 (March), 41-48.
Haley, Allan S. 1966. Beethoven: the Sketchbook for 1802-1803. Unpublished honors thesis (2 vols.) in the Eda Kuhn Loeb Music Library of Harvard University.
Heineman, Michael. 1992. "Altes" und "Neues" in Beethovens "Eroica"-Variationen op. 35. Archiv für Musikwissenschaft 49/1, 38-45.
Hess, Willy. 1962. Beethovens Bühnenwerke. Göttingen: Vandenhoeck & Ruprecht.
Hess, Willy, ed. 1939. Introduction to: Nei giorni tuoi felici aus "Olimpiade" Akt I, Szene 10 von Pietro Metastasio: Duett für Sopran und Tenor mit Orchester / von Ludwig van Beethoven; nach dem in der Preussichen Staatsbibliothek befindlichen Autograph zum ersten Male hrsg. und zum Vortrag eingerichtet
(WoO 93; in miniature score). Leipzig: E. Eulenberg.
Johnson, Douglas. 1978. Beethoven scholars and Beethoven's sketches. 19th Century Music 2, no. 1 (July), 3-17.
Katz, Jonathan, trans. 1979. Two Beethoven sketchbooks: A description with musical extracts, by Gustav Nottebohm. London: Gollancz.
Kerényi, Carl. 1959. Prometheus: Die menschliche Existenz in griechischer Deutung. Hamburg: Rowohlt Verlag. 1963. Eng. trans. Prometheus – Archetypal image of human existence. Princeton: Princeton University Press.
Kerman, Joseph, ed. 1970. Ludwig van Beethoven: Autograph miscellany from circa 1786 to 1799. 2 vols., London: Oxford University Press for the Trustees of the British Museum.
Kinderman, William. 1995. Beethoven. Oxford: Oxford University Press.
———, ed. 1991. Beethoven's compositional process. North American Beethoven Studies, vol. I. Lincoln & London: University of Nebraska Press.
Kinsky, Georg. 1935. Zur Versteigerung von Beethovens musikalischem Nachlaß. NBJ 6, 66-86.
Kloiber, Rudolph. 1973. Handbuch der Oper I. 8th ed., Munich: Deutsche Taschenbuch Verlag.
Knight, Frida. 1973. Beethoven and the age of revolution. London: Lawrence & Wishart.
Kojima, Shin August. 1977. Zweifelhafte Authentizität einiger Beethoven zugeschriebene Orchestertänze. In: Goldschmidt, Köhler and Niemann (eds.) 1978, 307-22.
Kojima, Shin August, ed. 1980. Kritischer Bericht for BWG Abt. II, Bd. 3: Gratulationsmenuett und Tänze für Orchester. Beethovenhaus Bonn (Munich: G. Henle Verlag).
Kunze, Stefan. 1972. Die "wirklich gantz neue Manier" in Beethovens Eroica-Variationen op. 35. Archiv für Musikwissenchaft 29/2, 124-49.
Lang, Paul, ed. 1971. The creative world of Beethoven. New York: W.W. Norton & Co.
Lenz, Wilhelm von. 1852. Beethoven et ses trois stiles.
St. Petersburg: Bernard.
———. 1855/60. Beethoven: Eine Kunststudie. Kassel: Ernst Balde, 1855 (vols. I & II); Hamburg: Hoffman & Campe, 1860 (vol. III).
———. 1856. Graf Mikhail Jur'evich Wielhorsky. In German; trans. into Russian by A.N. Serov, in Muzykal'nyj i teatral'nyj vestnik, No. 49, p. 882.
Levinson, A. 1927. Le Ballet de Promethée, Beethoven et Vigano. Revue de Musique 8, 87-97.
Linton, Patricia. 2004. Ballet's Beginnings. Dancing Times (January), 94-95.
Lockwood, Lewis. 1970. On Beethoven's sketches and autographs: Some problems of definition and interpretation.
Acta Musicologica XLII: 32-47. Reprinted in
Lockwood 1992, 4-16.
———. 1981. The earliest sketches for the Eroica symphony.
Musical Quarterly 67, 457-78. Reprinted in
Lockwood 1992, 134-50.
———. 1991. The compositional genesis of the
Eroica finale. In: Kinderman (ed.) 1991, 82-101. Repr. in
Lockwood 1992, at 151-166.
———. 1992. Beethoven – Studies in the creative process. Cambridge, Massachusetts and London, England: Harvard University Press.
———. 2000. Beethoven, Florestan and the varieties of heroism. In: Burnham and Steinberg (eds.) 2000, 27-47.
———. 2003. Beethoven – The music and the life. New York and London: W.W. Norton & Co.
MacArdle, Donald W., ed. 1996. Beethoven as I knew him [Transl. of Schindler 1860]. Mineola, NY: Dover Publications.
Maruyama, Keisuke. 1987. Die Sinfonie des Prometheus. Beethoven / Analecta Varia 56 (July), 46-82. Munich: Johannesdruck Hans Pribil KG.
Marx, Adolph Bernhard. 1859. Ludwig van Beethoven: Leben und Schaffen. 2 vols., Berlin: Verlag Otto Janke. 1863. 2d. ed., 2 vols.
Massin, Jean and Brigitte. 1970. Beethoven et la Révolution Française, in: Beethoven. Aix-en-Provence: L'Arc, No. 1375, 1er trimestre, 3-14.
Mathews, Denis. 1985. Beethoven. Oxford: Oxford University Press.
Mies, Paul. 1925. Die Bedeutung der Skizzen Beethovens zur Erkenntnis seines Stiles. Leipzig: Breitkopf & Härtel. 1929. Eng. transl. by Doris Mackinnon: Beethoven's sketches – An analysis of his style based on a study of his sketch-books. Oxford: Oxford University Press. Repr. 1974. New York: Dover Publications.
———. 1953-54. Ludwig van Beethovens Werke über seinen Kontretanz in Es-Dur. BJB 1, 80-102. Bonn: Beethovenhaus.
———, ed. 1924. Zwei Skizzenbücher von Beethoven aus den Jahren 1801 bis 1803. Beschrieben und in Auszügen dargestellt von Gustav Nottebohm. Leipzig: Breitkopf & Härtel.
Mikulicz, Karl, ed. 1927. Ein Notierungsbuch von Beethoven. Leipzig: Breitkopf & Härtel.
Morris, Edmund. 2005. Beethoven the universal composer. New York: Harper Collins.
Müller, Erich Hermann. 1929. Beethoven und Simrock. Simrock-Jahrbuch 2, 27ff.
Nohl, Ludwig. 1874. Beethoven, Liszt, Wagner. Vienna: Wilhelm Braumüller.
Noli, Fan S. (Bishop). 1947. Beethoven and the French revolution. New York: International Universities Press.
Noonan, Frederick, trans. 1987.
Remembering Beethoven: the biographical notes of Franz Wegeler and Ferdinand Ries / foreword by Christopher Hogwood, introduction by Eva Badura-Skoda. London: Andre Deutsch. (US ed. publ. 1988 as
Beethoven remembered, Arlington, VA: Great Ocean Publishers.) Trans. of 1906 Berlin ed. of
Wegeler/Ries with notes by Alfred Kalischer.
Nottebohm, Gustav. 1868. Thematisches Verzeichniss der im Druck erschienenen Werke von Ludwig van Beethoven. 2d. ed., Leipzig: Breitkopf & Härtel.
Paunel, Eugen von and Gustav Gugitz, ed. 1917-18.
Die Eipeldauer Briefe 1799-1813 in Auswahl herausgegeben. 2 vols., Munich: Georg Müller. Selections from
Richter 1785-1813.
Pichler, Caroline. 1844. Denkwürdigkeiten aus meinem Leben. 4 vols. (in 2),
Vienna: Verlag von A. Pichlers sel. Witwe.
Pichler, Ernst. 1994. Beethoven – Mythos und Wirklichkeit. Vienna and Munich: Amalthea Verlag.
Reichart, Sarah Bennett. 1984. The influence of eighteenth-century social dance on Viennese classical style. Ph.D. diss., City University of New York.
Reizler, Walter. 1990. Beethoven. 13th ed., Zürich: Atlantis Musikbuch Verlag.
Reynolds, Christopher. 1982. Beethoven's sketches for the Variations in E-Flat Op. 35. In: Alan Tyson, ed. Beethoven Studies 3, 47-74. Cambridge: Cambridge University Press.
Rice, John A. 2003. Empress Marie Therese and music at the Viennese court 1792-1807. Cambridge: Cambridge University Press.
Richter, Joseph. 1785-1813.
Eipeldauer-Briefe (
Briefe eines Eipeldauers an seinen Herrn Vetter in Kakran über d´ Wienstadt). Vienna: J. Richter. Selections reprinted in
Paunel and Gugitz, ed. 1917-18.
Riemann, Hugo. 1909-10. Beethovens Prometheus-Musik. Ein Variationenwerk. Die Musik 8, 19-34, 107-125.
Ringer, Alexander. 1961. Clementi and the Eroica.
Musical Quarterly 47, 454-68.
Ritorni, Carlo. 1838. Commentaria della vita e delle opere corredrammatiche di Salvatore di Viganò e della corregrafia e de' corporei scritti. Milan: Reggiano.
Rolland, Romain. 1928. Beethoven - les grandes époques créatrices: De l'Héroique à l'Appassionata. Paris: Editions du Sablier. 1929. Eng. tr. by Ernest Newman: Beethoven the creator. London: Victor Gollanz. Repr. 1964. New York: Dover Publications.
Rumph, Stephen. 2004. Beethoven after Napoleon. Berkeley and Los Angeles: University of California Press.
Schenker, Heinrich. 1930. Das Meisterwerk in der Musik. Vol. 3, Munich: Drei Masken Verlag.
Schindler, Anton. 1840.
Biographie von Ludwig van Beethoven. Münster: Aschendorff'schen Buchhandlung. 1845. 2
nd ed., 2 vols. 1860. 3d ed. (
Dritte, neu bearbeitete und vermehrte Auflage)
, 2 vols. English tr. of 3d ed.:
MacArdle (ed.) 1996.
Schleuning, Peter. 1987. Beethoven in alter Deutung: Der 'neue Weg' mit der Sinfonia Eroica. Archiv für Musikwissenschaft 44, 165-94.
———. 1996. 3. Symphonie Es-Dur. In: Albrecht Riethmüller, Carl Dahlhaus and Alexander Ringer, eds. Beethoven – Interpretationen seiner Werke. 2d ed., Laaber: Laaber-Verlag, vol. I, 386-400.
———, and Martin Geck. 1989."Geschrieben auf Bonaparte." Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag.
Schmitz, Arnold. 1927a. Beethoven. Bonn: Verlag der Buchgemeinde.
———. 1927b. Das romantische Beethovenbild: Darstellung und Kritik. Berlin and Bonn: Ferdinand Dümmler.
Schneider, Frank. 1988. Welt, was frag ich nach dir? Leipzig: Verlag Philipp Reclam jun.
Schüller, Gunhild, and Thomas Steiert. 1997. Salvatore Viganò--Raul, Herr von Krecki. Pipers Enzyklopedie des Musiktheaters. Munich: Piper Verlag,
vol. VI, pp. 497-500.
Schwarz, Boris. 1961. Beethoveniana in Soviet Russia. 47 Musical Quarterly 4-21.
Senner, Wayne M., Robin Wallace and William Meredith, eds. 1999 (vol. 1) and 2001 (vol. 2). The critical reception of Beethoven's compositions by his German contemporaries. 2 vols., Lincoln and London: University of Nebraska Press.
Seyer, Katherine. 2006. A peculiar hybrid: The structure and chronology of the "Eroica" sketchbook. Bonner Beethoven-Studien 5, 159-81. Bonn: Beethovenhaus.
Sipe, Thomas. 1998. Beethoven: Eroica Symphony. Cambridge: Cambridge University Press.
Smolle, Kurt. 1970. Wohnstätten Ludwig van Beethovens von 1792 bis zu seinem Tod. Beethovenhaus Bonn (München-Duisberg: G. Henle Verlag).
———. 1998. Beethoven. 2d ed., New York: Schirmer Books.
Sonnleithner, L. 1861. Beethoven's Musik zu dem Prometheus-Ballett. Niederrheinischer Musikzeitung für Kunstfreunde und Künstler 79, 85-87, 94-95.
Stanley, Glen (ed.). 2000. The Cambridge Companion to Beethoven. Cambridge: Cambridge University Press.
Sullivan, J.W.N. 1927. Beethoven – His spiritual development. New York: New American Library. Repr. 1960. New York: Vintage Books.
Thürheim, Lulu (Gräfin). 1788-1852. Ma vie. René van Rhyn, trans. and ed. 1913-14. Mein Leben. Erinnerungen aus Österreichs grosser Welt 1788-1819 /1819-1852. 4 vols., Munich: Georg Müller.
Trousson, Raymond. 2001. La thème de Promethée dans la littérature européenne. 3d ed. Geneva: Librairie Droz.
Tusa, Michael. 1985. Die authentischen Quellen der "Eroica". Archiv für Musikwissenschaft 42/2, 121-150.
Tyson, Alan. 1969. Beethoven's Heroic Phase. Musical Times CX, 139-141.
Tyson, Alan. 1970. The 1803 version of Beethoven's
Christus am Oelberge. 56
Musical Quarterly 551-84. Reprinted in
Lang (ed.) 1971, 49-82.
Volek, Tomislav and Jaroslav Macek. 1986. Beethoven's rehearsals at the Lobkowitz's, Musical Times 127, no. 1716 (February), 75-80.
Voss, Egon and Gunhild Schüller. 1997. Salvatore Viganò – Die Geschöpfe des Prometheus. Pipers Enzyklopedie des Musiktheaters. Munich: Piper Verlag,
vol. VI, pp. 500-503.
Wade, Rachel. 1977. Beethoven's Eroica sketchbook. Fontes Artis Musicae 24, 254-73.
Walzel, Oskar. 1932. Das Prometheussymbol von Shaftesbury zu Goethe. 2d ed. Munich: Max Huber Verlag.
Weissensteiner, Friedrich. 2001. Die österreichischen Kaiserinnen 1804-1918. Munich: Piper Verlag.
Witte, Reinhard. 2003. Beethoven, Homer und die Antike. Das Altertum 48/1, 3-54.
Würz, Anton and Reinhold Schimkat, eds. 1961. Beethoven in Briefen und Lebens-Dokumenten. Stuttgart: Philipp Reclam jun.
Zanden, Jos van der. 2005. Ferdinand Ries in Wien – Neue Perspektiven zu den Notizen. Bonner Beethoven-Studien 4, 191-212. Bonn: Beethovenhaus.